Rabiosa actualidad
Sydney, Australia 21 diciembre 2011
lunes, 19 de mayo de 2014
jueves, 15 de mayo de 2014
Cannes 2014
Russell está en Cannes con gran parte del equipo de The Water Diviner buscando distribución para su película, imagino .....
Fotos en Zimbio y Getty
Parece que estará en el estreno de Noé en Japón .....parece .....
Fotos en Zimbio y Getty
Parece que estará en el estreno de Noé en Japón .....parece .....
martes, 13 de mayo de 2014
De Padres e Hijas y Melopeas .....
Se ha publicado una foto de Russell con una claqueta de la película
Nota: Sarah Jones fue una cámara de cine que murió haciendo su trabajo. Un poquito de información en Las Horas Perdidas
Por otro lado, Muccino, el director ha publicado en su FB una especie de carta de agradecimiento con motivo del final del rodaje.
FATHERS AND DAUGHTERS, filming FINISHED, Hot-Shooting THOUGHTS
Ended and now the vacuum which is usually the next day when you finish filming your movie and suddenly you feel alone, around you there is more that the circus track full of lights and cheer. Of that circus are the memories, the reverb sound of appearances, of the workers, collaborators, sound indistinguishable from 200 people to work, each in own Department, in a hierarchy that if it were not so structured, would not have other way to run a machine much bulky but agile capable in a few hours to build temporary structures which are in turn simulate with absolute realism the awesomeness of life, empathy in viewers, their emotions to be later transported to a world where only you have stubbornly wanted to lead them.
The cinema is now the only form of enjoyment. When you enter in the room there is no difference between social classes. Ticket price is the same for everyone. And in fact all attend the same show unique. Each with its own self and its sensitivity. All participants, (sometimes good sometimes bad-depends on the film!) to what, by unplugging the ticket to the cashier, came over to see. The cinema is nourishment, entertainment, travel, dream, elevation, remembrance, remembrance.
I just finished my last movie. It was a powerful experience as is the treated material. I had the good fortune to work with a great crew and with sublime actors from Russell Crowe, whispered reputation as professional by being difficult and that with me he just shared moments of beautiful creation and sharing films real simple that we were about to face. He trusted me and I've been repeatedly struck by his extraordinary, outstanding, ability to dress up the skin of a character and make it his own. Russell got a big heart and I had many moments for repeating yourself! Thank you! And let's do it again Russel!
Amanda Seyfried, honestly the girl more foul-mouthed and funny that maybe has ever known, the girl that every man would have a friend maybe before you fall in love with, is sweetly knotted in the simplicity of a child grew up maybe in haste and with whom I have ever worked. It gave me so much, I asked her to give me all your talent and she has not been spared. Thanks Amanda! And let's do it again!
Like when you receive an important award, the time of thanks is always too short and it will be here too. But I worked with sublime actors, Oscar winners and nominees and simple bright talents and would like to thank them all!
Thanks to Octavia Spencer, the oscar that you win with The Help is linked to your beautiful heart, Jane Fonda, a living dictionary of American film history and film, not only as a teenager vibrant and full of life despite not twenty years.
And thank you, Aaron Paul, you've worn the clothes of Cameron leaving behind and away from you as Jesse Pinkman.
Remember with dismay the ancestral in depth look of Quevenzhanè Wallis. I don't know where is your depth but has filled your role. Thanks to you my sweet girl.
It was so flattering work with Janet Mcteer, enormous talent, great generosity and trust in join me on this adventure!
And I can not then certainly do not mention Diane Kruger who along with Bruce Greenwood gave the body to a couple tragically hilarious that has greased with a majestic sadness, feelings troubles and loneliness of an unhappy couple.
It was such a joy to see all these unlimited huge talents interact with each other in this cascade of human feelings that pours in movies and a day I have not been able to stop a hysterical attack for rice like Diane Kruger was possessed by his character. Had become unrecognizable and the magic that pure talent manages to carry the actors in other bodies and other lives, has always left me full of disbelief. How do they? Who are the real and who the characters?
Working with actors is perhaps one of the reasons why I do this job, and finally, I was certainly intoxicated, amazed, Thunderstruck amazing talent by Kylie Rogers, who in 10 years has given the film the most vibrant performance that I could ever wish from a girl of her age. Thank you Kylie, cresci centered as until today and don't miss ever devolve from the Hollywood System. One day you'll understand what I mean ... maybe.
Goodbye my Potato Chip.
As a good friend of mine, the Jig is up, the lights go out, friends if they leave.
I am now in editing for the next few months and I will do everything to return what my heart has nurtured for months and my soul has breathed for even longer: pretty much all my life.
At the bottom are the product of our parents and our children are the product of our behaviour ... Luckily comes a splash of Tinker Bell that will stand out and make it unique.
Fathers and Daughters
by Gabriele Muccino
Nota: Sarah Jones fue una cámara de cine que murió haciendo su trabajo. Un poquito de información en Las Horas Perdidas
Por otro lado, Muccino, el director ha publicado en su FB una especie de carta de agradecimiento con motivo del final del rodaje.
FATHERS AND DAUGHTERS, filming FINISHED, Hot-Shooting THOUGHTS
Ended and now the vacuum which is usually the next day when you finish filming your movie and suddenly you feel alone, around you there is more that the circus track full of lights and cheer. Of that circus are the memories, the reverb sound of appearances, of the workers, collaborators, sound indistinguishable from 200 people to work, each in own Department, in a hierarchy that if it were not so structured, would not have other way to run a machine much bulky but agile capable in a few hours to build temporary structures which are in turn simulate with absolute realism the awesomeness of life, empathy in viewers, their emotions to be later transported to a world where only you have stubbornly wanted to lead them.
The cinema is now the only form of enjoyment. When you enter in the room there is no difference between social classes. Ticket price is the same for everyone. And in fact all attend the same show unique. Each with its own self and its sensitivity. All participants, (sometimes good sometimes bad-depends on the film!) to what, by unplugging the ticket to the cashier, came over to see. The cinema is nourishment, entertainment, travel, dream, elevation, remembrance, remembrance.
I just finished my last movie. It was a powerful experience as is the treated material. I had the good fortune to work with a great crew and with sublime actors from Russell Crowe, whispered reputation as professional by being difficult and that with me he just shared moments of beautiful creation and sharing films real simple that we were about to face. He trusted me and I've been repeatedly struck by his extraordinary, outstanding, ability to dress up the skin of a character and make it his own. Russell got a big heart and I had many moments for repeating yourself! Thank you! And let's do it again Russel!
Amanda Seyfried, honestly the girl more foul-mouthed and funny that maybe has ever known, the girl that every man would have a friend maybe before you fall in love with, is sweetly knotted in the simplicity of a child grew up maybe in haste and with whom I have ever worked. It gave me so much, I asked her to give me all your talent and she has not been spared. Thanks Amanda! And let's do it again!
Like when you receive an important award, the time of thanks is always too short and it will be here too. But I worked with sublime actors, Oscar winners and nominees and simple bright talents and would like to thank them all!
Thanks to Octavia Spencer, the oscar that you win with The Help is linked to your beautiful heart, Jane Fonda, a living dictionary of American film history and film, not only as a teenager vibrant and full of life despite not twenty years.
And thank you, Aaron Paul, you've worn the clothes of Cameron leaving behind and away from you as Jesse Pinkman.
Remember with dismay the ancestral in depth look of Quevenzhanè Wallis. I don't know where is your depth but has filled your role. Thanks to you my sweet girl.
It was so flattering work with Janet Mcteer, enormous talent, great generosity and trust in join me on this adventure!
And I can not then certainly do not mention Diane Kruger who along with Bruce Greenwood gave the body to a couple tragically hilarious that has greased with a majestic sadness, feelings troubles and loneliness of an unhappy couple.
It was such a joy to see all these unlimited huge talents interact with each other in this cascade of human feelings that pours in movies and a day I have not been able to stop a hysterical attack for rice like Diane Kruger was possessed by his character. Had become unrecognizable and the magic that pure talent manages to carry the actors in other bodies and other lives, has always left me full of disbelief. How do they? Who are the real and who the characters?
Working with actors is perhaps one of the reasons why I do this job, and finally, I was certainly intoxicated, amazed, Thunderstruck amazing talent by Kylie Rogers, who in 10 years has given the film the most vibrant performance that I could ever wish from a girl of her age. Thank you Kylie, cresci centered as until today and don't miss ever devolve from the Hollywood System. One day you'll understand what I mean ... maybe.
Goodbye my Potato Chip.
As a good friend of mine, the Jig is up, the lights go out, friends if they leave.
I am now in editing for the next few months and I will do everything to return what my heart has nurtured for months and my soul has breathed for even longer: pretty much all my life.
At the bottom are the product of our parents and our children are the product of our behaviour ... Luckily comes a splash of Tinker Bell that will stand out and make it unique.
Fathers and Daughters
by Gabriele Muccino
Ya me pongo a la traducción ....
Por otro lado, Russell está por Inglaterra, antes de volver a casa. Ha estado viendo The Commitments, el musical, en el West End, donde participa Killian Donelly, que era uno de los estudiantes revolucionarios en Les Mis
Después, por alguna extraña razón, acabó en Newcastle, de copas con Ricky Gervais ....Ricky tuiteó las fotos y Russell le respondió, claro ....Toda la secuencia perfectamente explicada Aquí
sábado, 10 de mayo de 2014
viernes, 9 de mayo de 2014
Padres e Hijas, Fin de Rodaje
Russell ha dicho en twitter que ha acabado el rodaje, ha dado las gracias a Pittsburgh por su hospitalidad y Muccino, el director, ha agradecido la participación de todos.
TRC tiene toda la información actualizada y un video, posteado en FB por Muccino, sobre lo que es la casa del personaje que interpreta Russell.
Como no se si lo he puesto, dejo un artículo en turco, sobre una visita que hizo Russell a un instituto aquí
Y un par de videos haciendo el tonto ....aquí y aquí
Siento el retraso en las actualizaciones ....
TRC tiene toda la información actualizada y un video, posteado en FB por Muccino, sobre lo que es la casa del personaje que interpreta Russell.
Como no se si lo he puesto, dejo un artículo en turco, sobre una visita que hizo Russell a un instituto aquí
Y un par de videos haciendo el tonto ....aquí y aquí
Siento el retraso en las actualizaciones ....
martes, 29 de abril de 2014
Ludovico Einaudi - "Divenire" - Live @ Royal Albert Hall London
Esta es la música del video presentación de The Water Diviner. Russell ya había dado pistas sobre este pianista y compositor en su twitter y en el show de Jimmy Fallon, cuando estaba promocionando Noé.
Capturas, Videos y Curiosidades
Os dejo este gif, a modo de presentación
russell theteddy - bear
Me encanta esta foto .....
Russell Crowe’s ANZAC story
For the first time, Russell Crowe is taking the director’s chair for a story he is intent on telling his way — the story of an Australian father who goes to Turkey to bring home the bones of his three sons who never returned from Gallipoli.
The Water Diviner is unlike any other project he has undertaken, and for that reason Crowe decided to not only star in and direct the film, but also document it’s making.
"The thing that resounded with me when I first read the script was the Turkish perspective," Crowe says in his special piece for Sunday Night.
"Right from the first reading I knew I was having a response to the script that was different. Yes I could see the character clearly; yes I was making notes on behalf of the character. But I was actually visualizing the entire story as I read it."
The screenplay is by Australian writers Andrew Knight and Andrew Anastasio. It was written after they discovered a letter mentioning a man who had travelled to Gallipoli four years after the war.
"(The letter) was from a man called Cyril Hughes of the imperial war graves unit. And in that letter there was this intriguing line. A line that exploded in the imaginations of the writers. It became a script," Crowe said.
One old chap managed to get here from Australia, Looking for his son’s grave.
Crowe reveals how this discovery led to the formation of a story that was about much more than war and loss..
”The Water Diviner is an epic, brutal, romantic, heart-wrenching and inspiring adventure of discovery that proves what lies beyond good and evil is love.”
The Water Diviner is unlike any other project he has undertaken, and for that reason Crowe decided to not only star in and direct the film, but also document it’s making.
"The thing that resounded with me when I first read the script was the Turkish perspective," Crowe says in his special piece for Sunday Night.
"Right from the first reading I knew I was having a response to the script that was different. Yes I could see the character clearly; yes I was making notes on behalf of the character. But I was actually visualizing the entire story as I read it."
The screenplay is by Australian writers Andrew Knight and Andrew Anastasio. It was written after they discovered a letter mentioning a man who had travelled to Gallipoli four years after the war.
"(The letter) was from a man called Cyril Hughes of the imperial war graves unit. And in that letter there was this intriguing line. A line that exploded in the imaginations of the writers. It became a script," Crowe said.
One old chap managed to get here from Australia, Looking for his son’s grave.
Crowe reveals how this discovery led to the formation of a story that was about much more than war and loss..
”The Water Diviner is an epic, brutal, romantic, heart-wrenching and inspiring adventure of discovery that proves what lies beyond good and evil is love.”
Por primera vez, RC se sienta en la silla del director por una historia que intenta contar a su manera, la historia de un padre australiano que va a Turquía para traer a casa los huesos de sus tres hijos que nunca volvieron de Galipoli.
TWD no es como cualquier otro proyecto que haya emprendido, por eso no solo protagoniza y dirige la película, sino también ha documentado su realización.
"Lo que más respercutió en mi cuando leí el guión fue la perspectiva turca" ....
"Justo desde la primera lectura sabía que estaba teniendo una reacción al guión que era diferente. Si, podía ver el personaje claramente; Si, estaba tomando notas en nombre del personaje. Pero realmente estaba visualizando la historia completa mientras lo leía"
El guió fue escrito por Andrew Knight y Andrew Anastasio. Fue escrito después de que descubrieran una carta mencionando a un hombre que había viajado a Galipoli cuatro años después de la guerra.
"La carta era de un hombre llamado Cyril Hughes de la Unidad Imperial de Tumbas de Guerra. Y en esa carta había una frase intrigante. Un reglón que explotó en la imaginación de los escritores. Que se convirtió en guión" dice RC
Un paisano (paleto, que diría Alli) se las apañó para llegar aquí desde Australia, buscando la tumba de sus hijos.
RC revela como este descubrimiento condujo a la formación de una historia que trata de mucho más que de la guerra y la pérdida ....
"TWD es una aventura de descubrimiento épica, brutal, romántica, tortuosa e inspiradora que prueba que lo que está por encima del bien y del mal es el amor"
Heck Yeah Russell Crowe
Capturas del video, crossing
En el hockey
Suscribirse a:
Entradas (Atom)